Notice of Disruption by Christopher Dela Cruz is a modified thermal printer mounted on a wall that is activated by a sound sensor, printing in real-time when a new sound enters the realm of silence. It perpetually monitors the sound levels in the space and logs the current time and date of the disturbances. The work […]
Through the Virtual Aether by Rea Sweets is a live-guided exploration, discussion, and immersive audio experience through Habbo, a pixel art-based virtual world. This project was part of the 2020 Themed Commission Residency, “Remote Realities”, presented by Trinity Square Video & Dames Making Games. See more of Rea Sweets here Read Joy Xiang’s critical response
By g.a. chishti Edited by Grayson Lee between two: i) silences is sound, ii) sounds is silenceiii) ______________ The conversational interview with Christopher Dela Cruz took place on a Saturday. We were three time zones apart*. Dela Cruz is a person who makes art and is interested in technology. The website for Notice of Disruption, is […]
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The following images are taken from Sameer Farooq’s A Heap of Random Sweepings, a solo exhibition presented at The Koffler Centre of the Arts, Toronto, ON, Canada, curated by: Mona Filip. The exhibition tackles the fraught and violent histories of anthropological and encyclopaedic museum collections, their colonial origins, structures and impulses. See more of Sameer Farooq’s […]
By Joy XiangEdited by Grayson Lee Do humans dream of each other? i forget what it’s like to build a pixel version of myself or any other persona i could possibly take on. the free clothing you get through habbo, without paying for credits, are sorely lacking. i settle on a gray and black tank […]
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By Darian RazdarEdited by Kelly Lui IN THE PRESENCE OF ARCHIVAL ABSENCE1 In Summer 2021, South Asian Scarborough-raised artist, Noor Khan, was in the process of moving to the United States to pursue a MFA at Maryland Institute College of Art. Following Khan’s southward route, only a month later, was a hard drive carrying the […]
Read more "Sitting in the Chair: A response to SABIREEN"